So I had this idea kicking around in my head for awhile about how I would design a box set if I ever had the chance, but surprisingly no one was beating down my door to get me to design a box set for them. So I took matters into my own hands and decided to make one for myself: the SUPERGOD! ULTIMATE BOX SET. The set features all new artwork for the complete 6 album SUPERGOD! (always ALLCAPS, always with exclamation point btw) discography, plus a new album of live and unreleased tracks "Live + Incidentals", plus the SUPERGOD! movie "A Cagematch With Benefits" plus the SUPERGOD! predecessor band Bookburners sole album "Have Spoils". It turned into a pretty massive undertaking. All the covers fit together to make two giant images (one for each side) and each disc is contained in a 6 panel fold out with a total of 27 new illustrations for the whole box. I'm quite proud of how it turned out although it's quite arduous to put one together so I probably won't design a new one soon unless some record company pays me a pile of money. You can purchase the box set here.
I just finished my annual holiday music video late last night, it has the clickbaity title of "Trump Family Christmas Bombshelter" but lyrically doesn't really mention him. Traditionally I try to write and record the song video as close to Christmas day as possible to keep the christmas spirit more potent, but I've been picking away at this song for a few weeks now. The track features the amazing Jake Nicoll on drums and the inimitable Alex Bridger on the digital guitar feedback melotron sound you hear during the choruses. Big thanks to Andrew for giving me ride up to Cape Spear to do the filming.
Had the pleasure and privilege of designing the covers for the vinyl release of local loud boys Werewoman's album Youth;Slipt. Werewoman drummer Shaun Mccabe started his own record label Brokest Records to release it and some other interesting artists from around so it's exciting times for local music here in sin city. Go down to Fred's records and pick yourself up a copy, or go to one of them hyperlinks above and buy it there if you wanna.
This month around the St. John's metropolitan area you can see my pen work in action on The Overcast newstands. Chad Pelley asked me the weekend before last to do up a smoke themed cover for their carbon pricing issue so I doodled up a storm the next 7 days and here you go tons of smoke fer your ever-loving eyeballs. Pick it up and learn!
Steve Cowan is an exceptionally talented and award winning guitarist with all the chops you could want. I was super pleased to be asked to do the album art for his first album of classical guitar music "pour guitare" which is an amazing and stunning collection of contemporary Canadian classical guitar pieces, many of which had never been recorded before this. The album design was a bit of a challenge in a couple ways, for one it was my first 8 panel cd package with a lot of liner notes to format and it involved a lot of portraiture work which isn't really in my regular wheelhouse. Steve was very hands on in the process and it was refreshing to have so much feedback throughout and not be questioning whether or not the client likes what I'm doing. I've known Steve for years now and we collaborated before when I made a music video for his prog-metal band Surgeon a few years back, I'm not nearly good enough a guitarist to be in a Steve Cowan band but it's super nice to be able to collaborate like this on occasion.
Jake Nicoll is a fantastically talented, young songwriter/musician/producer who has slowly taken over the St. John's music scene over the last few years either producing the albums of or playing behind pretty much every musician in town. But it's in his own music that he shines brightest. Jake asked me last summer if I would be into making a music video for his new album he's working on, On the spot I said "of course!" and then promptly waited 5 or 6 months for him to send me some tracks to work off of. I'd pick on him each time I'd run into him asking when he's gonna gimme some mixes already? And he'd be all "soon, soon, I'm working on it!" and then I'd give him some stink eye because I'm a complete asshole. Little did I know that Jake was working on a 23 song magnum opus song cycle that spans two whole albums and is some of the richest, most deeply felt and beautifully crafted songwriting to come out of this city in a decade or more.
So I'm listening to all the tracks for a few days trying to figure out what I wanted to do for a video and I narrowed it down to about 5 songs I wanted to work on. I was thinking "well this one and this one would be the easiest, this one would be great, My Friends might be my favourite song but it's so very, very sad it might be hard to sell as a hit single". A day or two later I remembered this experimental footage I made for an abandoned project of my own 2 or 3 years ago that I've just been sitting on ever since, it never really fit any of my own songs. But then it hit me and I played the footage in one window while playing the song under it and the mood, tempo, atmosphere and subject matter of My Friends fit so, so perfectly with the footage I was totally floored. I barely had to edit it! it was fate. The final edit came together really quickly so I had a finished video for him within a week of getting the mp3s. It kinda felt like cheating (although, when I made the footage originally I spent like 6 weeks or so making it) so I'm making a second video for Jake very soon. When that'll be done I have no idea. In the meantime watch this and please do yourself a favour and buy all his albums.
It's the RPM time of year again, this year me and my good friend the unbelievably talented AE Bridger made good on our years of talking about someday collaborating for an album, and made this thing. We basically set up a stereo mic set up in his living room and would improvise together in front of it and hopefully something we liked would happen then we would change instruments and jam over whatever we recorded and build layers that way. Afterwards we'd take the mixes home with us and on our own and try to jury-rig them into functioning songs, we picked a secret subject matter write around and I think that helped bring it together quickly. I'm very happy with the end result, it's a very organic sounding album, you can really get a feel of the room in the final product. I hope people can get into it like we have.
Every year around the holidays instead of being a well adjusted human being and going outside the house and reconnecting with family and friends I hustle my arse off inside my house to make an original christmas music video to be ready by tib's eve. It's a weird thing I've decided to do and this is my 7th year doing it, if I keep at it in 5 years I'll have 12 songs which is an appropriate number for a christmas album at which point I will stop writing these things and put out a cd or something which will be my christmas gift for everyone that year I guess. This year I made a kinda smooth 80's pastiche using my sexy flu voice and the awesome saxophone stylings of Chris McGee. The video was made by filming through a boiling glass kettle and the song has the second lowest content of immediately objectionable lyrics of any of my christmas tunes. Giv'er a view and Merry Christmas ya'll!
I have the lovely honour of being including in the new issue of nationally distributed arts and culture magazine Riddle Fence! They picked three of my paintings to accompany a story by Robert Chafe. It's a beautiful issue and a real treat to be a part of, I'm very happy with the way the paintings looked on the page. Check it out on a art magazine rack near you!
So pleased to check this years Overcast's Peoples Choice Awards issue to see that I got voted 2nd Best Book Cover, 2nd Best Recording Artist Who Rarely Plays Live, 3rd Best Illustrator and (most surprising and flabbergasting) 3rd Best Visual Artist in Town behind the illustrious company of Mike Gough and Will Gill! Holy Moly! Pretty cool pretty cool. I'm gonna have to start playing more I suppose.